Help support TMP


"Zahra on Orzoff, 'Battle for the Castle: The..." Topic


1 Post

All members in good standing are free to post here. Opinions expressed here are solely those of the posters, and have not been cleared with nor are they endorsed by The Miniatures Page.

In order to respect possible copyright issues, when quoting from a book or article, please quote no more than three paragraphs.

For more information, see the TMP FAQ.


Back to the Early 20th Century Media Message Board


Areas of Interest

World War One

Featured Hobby News Article


Featured Link


Top-Rated Ruleset

One-Hour Skirmish Wargames


Rating: gold star gold star gold star gold star gold star gold star gold star gold star 


Featured Profile Article

15mm Battlefield in a Box: Bridges

Personal logo Editor in Chief Bill The Editor of TMP Fezian finds bridges to match the river sets.


Featured Book Review


Featured Movie Review


611 hits since 28 Aug 2019
©1994-2024 Bill Armintrout
Comments or corrections?

Tango0128 Aug 2019 8:49 p.m. PST

… Myth of Czechoslovakia in Europe 1914-1948'.

"The break-up of the Austrian Empire in 1918 was described by contemporaries and has since been described by historians as a revolution: a moment of triumph for the Wilsonian principles of democracy and national-self determination. In Battle for the Castle, Andrea Orzoff makes a compelling case that this was no ordinary revolution, however. Czechoslovakia, she argues, was not made on the barricades, the battlefield, or in the halls of parliament. It was above all a product of myth and propaganda.

Orzoff's Czechoslovakia was constructed, defined, and sustained in the newspapers and universities of London and Paris as well as in Prague. It was bought and paid for through Czech government support of foreign academics and journalists: no less than twenty-six newspapers, press agencies, and radio stations in France alone were on the government's payroll. Its meaning was debated in literary salons and international writers' congresses. And its ideals were disseminated in books produced by Czechoslovakia's government-subsidized publishing house and in the genteel quarters of the state's elite social club. "Admiring works of history were kept in print; concerts of music by national composers were given, and social occasions were carefully arranged, both in Great Power and East Central European capitals. The propagandistic stakes were high; the very existence of these states seemed predicated on it," Orzoff argues (p. 8)…"
Main page
link

Amicalement
Armand

Sorry - only verified members can post on the forums.