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Report from Abstracity


Female Druid
Product #
12345
Manufacturer
Suggested Retail Price
£4.00 GBP


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Revision Log
6 November 2003page first published

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©1994-2024 Bill Armintrout
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Minidragon Fezian (Joe Wiedeman) writes:


Painting the Female Druid

For starters, I want to talk about assembly on this figure. Assembly consists of attaching the standard/totem top to the pole. At first, I thought this would be simple - the parts are cut so that they have more surface area for bonding than normal. Going with the "more surface area means I won't need a pin" theory, I simply glued the pieces together with superglue.

This turned out to be a mistake as I ended up breaking the pieces apart with minimal force while I was painting! With the need for a stronger join apparent, I decided to drill straight throught the join and put a pin in "sideways." I couldn't insert the pin in the regular way because of the odd way i-Kore had decided to cut the joint. After pinning, I was left with two rugged little bumps sticking out of the pole...I decided to hide them behind gems instead of filing them down. The only picture I got of assembly was from the first attempt...no pin, just glue.

The original assembly (the one that broke later!)

Now with that out of the way, we can get down to the painting!

I decided to basecoat this one black (my usual approach...I've got to know for certain that I want primarily light colors before I'll even consider using white). I used black because I had no clue what kind of colors I was going to use - I work that way often, especially when not working from reference material. I used GW black paint for the basecoat, after the mini had been washed with warm water and dish soap.

Druid is primed black

I decided to paint the totem first as it was the only bit I had a plan for. I'd decided that such a massive thing could only be lifted if it were made of wood...so wood it would be! I used a very simple method on the wood (and I think it worked out so well that I'll be using it on all the wood I paint from now on). I started with a medium brown base. With that dry, I picked 3 other browns (a reddish one, a very light one, and an "earthy" one) and simply painted lots of little stripes of color. I just kept at it until I had a good mix of colors, and then I painted darker lines in showing where boards might be joined together. It all went very quickly.

The totem is given a wood effect

Next I painted the skin, this would take care of 50% of the figure! I had to do a lot of thin coats (4 or 5) to get a nice smooth finish (painting light colors over a black base and doing it smoothly takes perserverance!). After I had the base color on, I gave her a wash with slightly thinned GW Chestnut Ink. The ink wash defined her features and gave some shading. After the wash, I added some shading and highlighting where needed. (I kept the shading light as I wanted pale skin.)

The skin is painted

With the skin out of the way, I decided to work on her hair. I didn't want to do blonde, brown, black, or some off-the-wall color...so red it was. Doing red hair would also be an explanation for her very pale complexion. I started her hair with a very dark red, and added orange and yellow to lighten it for the highlights. When the highlights were finished, I went back to the dark red and painted some dark lines in. I think she ended up with a very luxurious-looking mane!

In the next stage, I did a few areas together. I finished her face (adding a painted-on top lip that helps her looks tremendously), where I paid special attention to the eyes. Seen up close, the eyes are a very deep brown with tiny points of reflected light. After the face, I painted the breastplate and spearhead-thingy on her totem. I used the non-metallic style (NMM) because it's faster than trying to get a nice effect with metallics, and it gives a clean, high contrast look. I did gold trim on the breastplate, gold bracelets and "charm thighlet," and copper charms...all in NMM. The copper required only two colors: the same deep red from her hair and white (in various mixes). Also at this point, I painted her finger- and toe-nails.

A mane of red hair, and many details have been painted

In the last "progress shot," you can see where I added the gems to the totem to cover the pin. It was at this point that I broke the thing! Here I painted her thong, topknot holder, sickle, and bracers. I chose very stark highlighting on the sickle, to try to give it the super shiny chipped obsidian look.

Final progress shot

In the finished pictures you can see the final touches: some lining for definition; the totem is finished (I tried for a wrought-iron look for the bulbous bits between the "horns"); and I finished the base.

I spent a bit of extra time on the base for this one as I really liked how she turned out. I painted some tiny grey rocks on and added a couple plants to give some height variation to the base. (Usually I just do my sand mix, flock, and static grass.)

Finally, as I really did like this mini, I consulted with my wife to come up with a name for her. We perused the websites of some druid fanatics and settled on Valeda.

That's it!! Don't vote me off or I'll cry like baby.

Finished Pictures from Abstracity